2-4 pages of professionally formatted coverage to help you gauge how your script will fare at agencies and production companies.

Up to 120 pages.
3-5 pages of notes on premise, structure, world, characters, dialogue.
90 minute meeting by phone or in-person.

5-7 pages of notes on premise, structure, world, characters, dialogue.
One hour meeting by phone or in-person to discuss the rewrite.
One hour check-in during the rewrite to troubleshoot.
One hour meeting by phone or in-person after I read the new draft.

Up to 30 pages.
1-2 pages of notes on premise, structure, world, characters, dialogue.
One hour meeting by phone or in-person.

Up to 60 pages.
2-3 pages of notes on premise, structure, world, characters, dialogue.
One hour meeting by phone or in-person.

If you’re like me, you get new ideas for movies every day.  Which ones are worth pursuing and which ones will run out of steam after 20 pages?  Save yourself time and aggravation by talking them through before you commit six months to a year writing a script.

100/hr.

Plotting a move to Los Angeles?  Trying to decide whether to take that low-paying job in the mailroom?  It all depends what your endgame is – and what path is best suited to your personality.  It’s worth talking it through before you pack up the U-Haul.

100/hr.

You’re riding the elevator with the President of Dreamworks and you’ve got 30 seconds to pitch your idea.  Do you have a hook?  A logline?  Is it a star vehicle?  Do you understand the rules of your genre?  The ability to pitch is what separates writers who work from those who don’t.  And it’s a muscle that needs to be developed and refined.  Are you prepared?

150/hr.